The series consists of relief prints that were produced by the artist. Following a written score, specifically framed for the production of this series, prints were made as part of an ongoing research process. I investigated the sonic potential of forms that result from indetermined production. The visual artifact becomes a silent sonic piece while it also can be read and interpreted as a visual score for further productions (sound installations, performances in dance & sound). Here the circularity of the score is used as a chance to entering [german: eindringen - to get through, to reach, to urge] the form in order to explore its structure's inner details.